Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ), Очное отделение, Студент (специалист)
Факультет: Σχολή Καλών Τεχνών
Кафедра: Τμήμα Κινηματογράφου
КНУТКиТ (КГИТИ) им. И. К. Карпенко-Карого, Очное отделение, Выпускник (магистр)
Факультет: Факультет кинематографии и телевидения
Кафедра: Кафедра организации производства фильма
КНЭУ им. В. Гетьмана (КИНХ им. Д. С. Коротченко), Очное отделение, Выпускник (бакалавр)
Факультет: Факультет экономики и управления
Кафедра: Кафедра экономики предприятий

Charles Mingus, Bill Evans, Ornette Coleman, Miles Davis, Dizzy Gillespie, Krzysztof Penderecki, Peter Brotzmann Octet, Art Blakey, Stan Getz, Syd Barrett, Rolling Stones, Tom Waits, Frank Zappa, Bob Dylan, Ray Charles, Nina Simone, Bob Marley, The Doors, The Troggs, The Seeds, Jefferson Airplane, Velvet Undeground, Meredith Monk, Coil, Sidsel Endressen, Free Jazz, Ukrainian Folk

John Cassavetes, Ingmar Bergman, Oles Yanchuk, Eric Rohmer, Gus Van Sant, Dusan Hanák, Jan Švankmajer, Jacques Rivette, Jean-Luc Godard, Jim Jarmusch, Francois Truffaut, Phillip Garrel, Derek Jarman, Lars von Trier, David Lynch, Bernardo Bertolucci, Emir Kusturica, Alain Resnais, Fellini, Rainer Fassbinder, Louis Malle, Wim Wenders, Woody Allen, Pier Pasolini, An.Mikelandzhelo, Carlos Saura, Roman Palansky, Claude Lelouch, Marc Caro, Alan Parker, Stanley Kubrick, Maya Deren, Tinto Brass, Andy Warhol, Terry Gilliam, Robert Bresson, John Waters, Paul Morrissey, Nick Zedd, Jean-Pierre Jeunet, Kira Muratova, Louis Bunuel, Vittorio De Sica, Jean Vigo, Luchino Visconti, Henri-Georges Clouzot, Sergei Paradjanov, Sergio Leone, Vera Chytilová, Claude Chabrol, Milos Forman, Bertrand Blier, Francis Ford Coppola, Martin Scorsese

Émile Zola, Marcel Proust, Jack Kerouac, William Seward Burroughs, Allen Ginsberg, Gregory Corso, Ernest Hemingway, Irvine Welsh, Bertrand Blier, Marquis de Sade, Max Frisch, Knut Hamsun, Mario Puzo, Vladimir Vyatrovich

“I don’t like the idea of “understanding” a film. I don’t believe that rational understanding is an essential element in the reception of any work of art. Either a film has something to say to you or it hasn’t. If you are moved by it, you don’t need it explained to you. If not, no explanation can make you moved by it.” ― Federico Fellini “The eye solicited alone makes the ear impatient, the ear solicited alone makes the eye impatient. Use these impatiences. Power of the cinematographer who appeals to the two senses in a governable way. Against the tactics of speed, of noise, set tactics of slowness, of silence.” ― Robert Bresson